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Theatre

GC Theatre: “Runaways,” April 16-19

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“Runaways,” by Elizabeth Swados, directed by Associate Professor Wm. Perry Morgan-Hall, 7:30 p.m. Thursday-Saturday, April 16-18, and 2 p.m. Saturday-Sunday, April 18-19, Gail Brower Huggins Performance Center, Odell Building. All tickets $10.

“Runaways” is a musical with words and music by Elizabeth Swados about the lives of children who run away from home and live on the city streets. The characters were taken from workshops conducted by Swados with real-life runaways in the late 1970s. Swados took her idea for a musical with the theme of running away “from home, from a boyfriend, from a predator … from yourself.” She looked for the children who would be in the musical in various places in New York City, such as a community center, and “little by little, we built a world where runaways came together, told their stories, and acted out the hardships they endured.” The show is done in a series of songs, monologues, scenes, poems, and dances.

GC Theatre: “Runaways,” April 16-19

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“Runaways,” by Elizabeth Swados, directed by Associate Professor Wm. Perry Morgan-Hall, 7:30 p.m. Thursday-Saturday, April 16-18, and 2 p.m. Saturday-Sunday, April 18-19, Gail Brower Huggins Performance Center, Odell Building. All tickets $10.

“Runaways” is a musical with words and music by Elizabeth Swados about the lives of children who run away from home and live on the city streets. The characters were taken from workshops conducted by Swados with real-life runaways in the late 1970s. Swados took her idea for a musical with the theme of running away “from home, from a boyfriend, from a predator … from yourself.” She looked for the children who would be in the musical in various places in New York City, such as a community center, and “little by little, we built a world where runaways came together, told their stories, and acted out the hardships they endured.” The show is done in a series of songs, monologues, scenes, poems, and dances.

GC Theatre: “Runaways,” April 16-19

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“Runaways,” by Elizabeth Swados, directed by Associate Professor Wm. Perry Morgan-Hall, 7:30 p.m. Thursday-Saturday, April 16-18, and 2 p.m. Saturday-Sunday, April 18-19, Gail Brower Huggins Performance Center, Odell Building. All tickets $10.

“Runaways” is a musical with words and music by Elizabeth Swados about the lives of children who run away from home and live on the city streets. The characters were taken from workshops conducted by Swados with real-life runaways in the late 1970s. Swados took her idea for a musical with the theme of running away “from home, from a boyfriend, from a predator … from yourself.” She looked for the children who would be in the musical in various places in New York City, such as a community center, and “little by little, we built a world where runaways came together, told their stories, and acted out the hardships they endured.” The show is done in a series of songs, monologues, scenes, poems, and dances.

GC Theatre: “Runaways,” April 16-19

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“Runaways,” by Elizabeth Swados, directed by Associate Professor Wm. Perry Morgan-Hall, 7:30 p.m. Thursday-Saturday, April 16-18, and 2 p.m. Saturday-Sunday, April 18-19, Gail Brower Huggins Performance Center, Odell Building. All tickets $10.

“Runaways” is a musical with words and music by Elizabeth Swados about the lives of children who run away from home and live on the city streets. The characters were taken from workshops conducted by Swados with real-life runaways in the late 1970s. Swados took her idea for a musical with the theme of running away “from home, from a boyfriend, from a predator … from yourself.” She looked for the children who would be in the musical in various places in New York City, such as a community center, and “little by little, we built a world where runaways came together, told their stories, and acted out the hardships they endured.” The show is done in a series of songs, monologues, scenes, poems, and dances.

GC Theatre: “Runaways,” April 16-19

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“Runaways,” by Elizabeth Swados, directed by Associate Professor Wm. Perry Morgan-Hall, 7:30 p.m. Thursday-Saturday, April 16-18, and 2 p.m. Saturday-Sunday, April 18-19, Gail Brower Huggins Performance Center, Odell Building. All tickets $10.

“Runaways” is a musical with words and music by Elizabeth Swados about the lives of children who run away from home and live on the city streets. The characters were taken from workshops conducted by Swados with real-life runaways in the late 1970s. Swados took her idea for a musical with the theme of running away “from home, from a boyfriend, from a predator … from yourself.” She looked for the children who would be in the musical in various places in New York City, such as a community center, and “little by little, we built a world where runaways came together, told their stories, and acted out the hardships they endured.” The show is done in a series of songs, monologues, scenes, poems, and dances.

GC Theatre: “Step on a Crack,” Feb. 8

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“Step on a Crack,” by Suzan L. Zeder, directed by theatre major Victoria LeBaron ’20, 10 a.m. and 2 p.m. Saturday, Feb. 8, Mane Stage, Royce Reynolds Family Student Life Center.

“Step on a Crack” brilliantly captures the contemporary theatrical fantasies of Ellie, a little girl who happily lived with her widowed father, Max. But now, suddenly, life is different. Max has remarried, and Ellie has a stepmother. Ellie and her imaginary friends, Lana and Frizbee, launch into a fantasy world as Ellie seeks to escape real-life problems. Only by running away and discovering what it is really like to be alone does Ellie begin to come to terms with herself and her own need for a mother.

In addition to these performances on campus, this production will tour to area schools.

GC Theatre: “Step on a Crack,” Feb. 8

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“Step on a Crack,” by Suzan L. Zeder, directed by theatre major Victoria LeBaron ’20, 10 a.m. and 2 p.m. Saturday, Feb. 8, Mane Stage, Royce Reynolds Family Student Life Center.

“Step on a Crack” brilliantly captures the contemporary theatrical fantasies of Ellie, a little girl who happily lived with her widowed father, Max. But now, suddenly, life is different. Max has remarried, and Ellie has a stepmother. Ellie and her imaginary friends, Lana and Frizbee, launch into a fantasy world as Ellie seeks to escape real-life problems. Only by running away and discovering what it is really like to be alone does Ellie begin to come to terms with herself and her own need for a mother.

In addition to these performances on campus, this production will tour to area schools.

GC Theatre: “Yankee Tavern,” Jan. 30-Feb. 2

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“Yankee Tavern,” by Steven Dietz, directed by theatre/directing & stage management major Rodney Arters ’20, 7:30 p.m. Thursday-Saturday, Jan. 30-Feb. 1, and 2 p.m. Saturday-Sunday, Feb. 1-2, Annie Sellars Jordan Parlor Theatre, Main Building. All tickets $10.

Just when you thought you’d heard every crazy 9/11 conspiracy theory, a stranger walks into the Yankee Tavern. There, inside the walls of this crumbling New York tavern, a young couple finds themselves caught up in what might be the biggest conspiracy of all. Dietz’s acclaimed and already widely produced dramatic thriller is a fierce, funny, and ultimately mind-bending work of theatrical power that grips you until the final word. What you don’t know can hurt you.

GC Theatre: “Yankee Tavern,” Jan. 30-Feb. 2

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“Yankee Tavern,” by Steven Dietz, directed by theatre/directing & stage management major Rodney Arters ’20, 7:30 p.m. Thursday-Saturday, Jan. 30-Feb. 1, and 2 p.m. Saturday-Sunday, Feb. 1-2, Annie Sellars Jordan Parlor Theatre, Main Building. All tickets $10.

Just when you thought you’d heard every crazy 9/11 conspiracy theory, a stranger walks into the Yankee Tavern. There, inside the walls of this crumbling New York tavern, a young couple finds themselves caught up in what might be the biggest conspiracy of all. Dietz’s acclaimed and already widely produced dramatic thriller is a fierce, funny, and ultimately mind-bending work of theatrical power that grips you until the final word. What you don’t know can hurt you.

GC Theatre: “Yankee Tavern,” Jan. 30-Feb. 2

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“Yankee Tavern,” by Steven Dietz, directed by theatre/directing & stage management major Rodney Arters ’20, 7:30 p.m. Thursday-Saturday, Jan. 30-Feb. 1, and 2 p.m. Saturday-Sunday, Feb. 1-2, Annie Sellars Jordan Parlor Theatre, Main Building. All tickets $10.

Just when you thought you’d heard every crazy 9/11 conspiracy theory, a stranger walks into the Yankee Tavern. There, inside the walls of this crumbling New York tavern, a young couple finds themselves caught up in what might be the biggest conspiracy of all. Dietz’s acclaimed and already widely produced dramatic thriller is a fierce, funny, and ultimately mind-bending work of theatrical power that grips you until the final word. What you don’t know can hurt you.

GC Theatre: “Yankee Tavern,” Jan. 30-Feb. 2

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“Yankee Tavern,” by Steven Dietz, directed by theatre/directing & stage management major Rodney Arters ’20, 7:30 p.m. Thursday-Saturday, Jan. 30-Feb. 1, and 2 p.m. Saturday-Sunday, Feb. 1-2, Annie Sellars Jordan Parlor Theatre, Main Building. All tickets $10.

Just when you thought you’d heard every crazy 9/11 conspiracy theory, a stranger walks into the Yankee Tavern. There, inside the walls of this crumbling New York tavern, a young couple finds themselves caught up in what might be the biggest conspiracy of all. Dietz’s acclaimed and already widely produced dramatic thriller is a fierce, funny, and ultimately mind-bending work of theatrical power that grips you until the final word. What you don’t know can hurt you.

GC Theatre: “Yankee Tavern,” Jan. 30-Feb. 2

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“Yankee Tavern,” by Steven Dietz, directed by theatre/directing & stage management major Rodney Arters ’20, 7:30 p.m. Thursday-Saturday, Jan. 30-Feb. 1, and 2 p.m. Saturday-Sunday, Feb. 1-2, Annie Sellars Jordan Parlor Theatre, Main Building. All tickets $10.

Just when you thought you’d heard every crazy 9/11 conspiracy theory, a stranger walks into the Yankee Tavern. There, inside the walls of this crumbling New York tavern, a young couple finds themselves caught up in what might be the biggest conspiracy of all. Dietz’s acclaimed and already widely produced dramatic thriller is a fierce, funny, and ultimately mind-bending work of theatrical power that grips you until the final word. What you don’t know can hurt you.

GC Theatre: “Tru,” Jan. 10-12

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“Tru,” adapted from the words and works of Truman Capote by Jay Presson Allen, directed by Associate Professor Wm. Perry Morgan Hall, 7:30 p.m. Friday-Saturday, Jan. 10-11, and 2 p.m. Saturday-Sunday, Jan. 11-12, Annie Sellars Jordan Parlor Theatre, Main Building. All tickets $10.

“Tru” is set in Capote’s New York City apartment the week before Christmas 1975. An excerpt from Capote’s infamous unfinished “Answered Prayers” recently has been published. Having recognized thinly veiled versions of themselves, Manhattan socialites turn their backs on the man they once considered a close confidant. Alone and lonely, Capote — soothing himself with pills, vodka, cocaine, and chocolate truffles — muses about his checkered life and career.

GC Theatre: “Tru,” Jan. 10-12

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“Tru,” adapted from the words and works of Truman Capote by Jay Presson Allen, directed by Associate Professor Wm. Perry Morgan Hall, 7:30 p.m. Friday-Saturday, Jan. 10-11, and 2 p.m. Saturday-Sunday, Jan. 11-12, Annie Sellars Jordan Parlor Theatre, Main Building. All tickets $10.

“Tru” is set in Capote’s New York City apartment the week before Christmas 1975. An excerpt from Capote’s infamous unfinished “Answered Prayers” recently has been published. Having recognized thinly veiled versions of themselves, Manhattan socialites turn their backs on the man they once considered a close confidant. Alone and lonely, Capote — soothing himself with pills, vodka, cocaine, and chocolate truffles — muses about his checkered life and career.

GC Theatre: “Tru,” Jan. 10-12

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“Tru,” adapted from the words and works of Truman Capote by Jay Presson Allen, directed by Associate Professor Wm. Perry Morgan Hall, 7:30 p.m. Friday-Saturday, Jan. 10-11, and 2 p.m. Saturday-Sunday, Jan. 11-12, Annie Sellars Jordan Parlor Theatre, Main Building. All tickets $10.

“Tru” is set in Capote’s New York City apartment the week before Christmas 1975. An excerpt from Capote’s infamous unfinished “Answered Prayers” recently has been published. Having recognized thinly veiled versions of themselves, Manhattan socialites turn their backs on the man they once considered a close confidant. Alone and lonely, Capote — soothing himself with pills, vodka, cocaine, and chocolate truffles — muses about his checkered life and career.

GC Theatre: “Tru,” Jan. 10-12

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“Tru,” adapted from the words and works of Truman Capote by Jay Presson Allen, directed by Associate Professor Wm. Perry Morgan Hall, 7:30 p.m. Friday-Saturday, Jan. 10-11, and 2 p.m. Saturday-Sunday, Jan. 11-12, Annie Sellars Jordan Parlor Theatre, Main Building. All tickets $10.

“Tru” is set in Capote’s New York City apartment the week before Christmas 1975. An excerpt from Capote’s infamous unfinished “Answered Prayers” recently has been published. Having recognized thinly veiled versions of themselves, Manhattan socialites turn their backs on the man they once considered a close confidant. Alone and lonely, Capote — soothing himself with pills, vodka, cocaine, and chocolate truffles — muses about his checkered life and career.

GC Theatre: “Miss Bennet: Christmas at Pemberley”

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Greensboro College Theatre presents “Miss Bennet: Christmas at Pemberley,” by Lauren Gunderson and Margot Melcon, directed by Jefferson-Pilot Professor of Theatre David Schram, 7:30 p.m. Thursday-Saturday, Nov. 7-9, and 2 p.m. Saturday-Sunday, Nov. 9-10, Gail Brower Huggins Performance Center, Odell Building. All tickets $10; reserve tickets by calling 336-272-7102, ext. 5242, or email tickets@greensboro.edu. Free parking available behind the college’s Admissions Welcome Center at West Market Street and College Place.

A sequel to Jane Austen’s “Pride and Prejudice” set two years after the novel ends, “Miss Bennet” continues the story, only this time with bookish middle-sister Mary as its unlikely heroine. Mary is growing tired of her role as dutiful middle sister in the face of her siblings’ romantic escapades. When the family gathers for Christmas at Pemberley, an unexpected guest sparks Mary’s hopes for independence, an intellectual match, and possibly even love.

GC Theatre: “Miss Bennet: Christmas at Pemberley”

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Greensboro College Theatre presents “Miss Bennet: Christmas at Pemberley,” by Lauren Gunderson and Margot Melcon, directed by Jefferson-Pilot Professor of Theatre David Schram, 7:30 p.m. Thursday-Saturday, Nov. 7-9, and 2 p.m. Saturday-Sunday, Nov. 9-10, Gail Brower Huggins Performance Center, Odell Building. All tickets $10; reserve tickets by calling 336-272-7102, ext. 5242, or email tickets@greensboro.edu. Free parking available behind the college’s Admissions Welcome Center at West Market Street and College Place.

A sequel to Jane Austen’s “Pride and Prejudice” set two years after the novel ends, “Miss Bennet” continues the story, only this time with bookish middle-sister Mary as its unlikely heroine. Mary is growing tired of her role as dutiful middle sister in the face of her siblings’ romantic escapades. When the family gathers for Christmas at Pemberley, an unexpected guest sparks Mary’s hopes for independence, an intellectual match, and possibly even love.

GC Theatre: “Miss Bennet: Christmas at Pemberley”

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Greensboro College Theatre presents “Miss Bennet: Christmas at Pemberley,” by Lauren Gunderson and Margot Melcon, directed by Jefferson-Pilot Professor of Theatre David Schram, 7:30 p.m. Thursday-Saturday, Nov. 7-9, and 2 p.m. Saturday-Sunday, Nov. 9-10, Gail Brower Huggins Performance Center, Odell Building. All tickets $10; reserve tickets by calling 336-272-7102, ext. 5242, or email tickets@greensboro.edu. Free parking available behind the college’s Admissions Welcome Center at West Market Street and College Place.

A sequel to Jane Austen’s “Pride and Prejudice” set two years after the novel ends, “Miss Bennet” continues the story, only this time with bookish middle-sister Mary as its unlikely heroine. Mary is growing tired of her role as dutiful middle sister in the face of her siblings’ romantic escapades. When the family gathers for Christmas at Pemberley, an unexpected guest sparks Mary’s hopes for independence, an intellectual match, and possibly even love.

GC Theatre: “Miss Bennet: Christmas at Pemberley”

by

Greensboro College Theatre presents “Miss Bennet: Christmas at Pemberley,” by Lauren Gunderson and Margot Melcon, directed by Jefferson-Pilot Professor of Theatre David Schram, 7:30 p.m. Thursday-Saturday, Nov. 7-9, and 2 p.m. Saturday-Sunday, Nov. 9-10, Gail Brower Huggins Performance Center, Odell Building. All tickets $10; reserve tickets by calling 336-272-7102, ext. 5242, or email tickets@greensboro.edu. Free parking available behind the college’s Admissions Welcome Center at West Market Street and College Place.

A sequel to Jane Austen’s “Pride and Prejudice” set two years after the novel ends, “Miss Bennet” continues the story, only this time with bookish middle-sister Mary as its unlikely heroine. Mary is growing tired of her role as dutiful middle sister in the face of her siblings’ romantic escapades. When the family gathers for Christmas at Pemberley, an unexpected guest sparks Mary’s hopes for independence, an intellectual match, and possibly even love.

GC Theatre: “Miss Bennet: Christmas at Pemberley”

by

Greensboro College Theatre presents “Miss Bennet: Christmas at Pemberley,” by Lauren Gunderson and Margot Melcon, directed by Jefferson-Pilot Professor of Theatre David Schram, 7:30 p.m. Thursday-Saturday, Nov. 7-9, and 2 p.m. Saturday-Sunday, Nov. 9-10, Gail Brower Huggins Performance Center, Odell Building. All tickets $10; reserve tickets by calling 336-272-7102, ext. 5242, or email tickets@greensboro.edu. Free parking available behind the college’s Admissions Welcome Center at West Market Street and College Place.

A sequel to Jane Austen’s “Pride and Prejudice” set two years after the novel ends, “Miss Bennet” continues the story, only this time with bookish middle-sister Mary as its unlikely heroine. Mary is growing tired of her role as dutiful middle sister in the face of her siblings’ romantic escapades. When the family gathers for Christmas at Pemberley, an unexpected guest sparks Mary’s hopes for independence, an intellectual match, and possibly even love.

Greensboro College Faculty Members Presents Scenery and Painting Techniques to Scenic Artists’ Unions in New York

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GREENSBORO, N.C. – Greensboro College’s John Saari, professor of theatre, and his son Sean Saari ’12, adjunct instructor of technical theatre, presented techniques of scenic painting and texturing processes to scenic artist apprentices and other theatre union members recently in Staten Island, N.Y.

The Saaris were among only a few experts invited to present at the first Scenic Materials Fair and Apprentices Day, sponsored by the United Scenic Artists Local 829 and the International Alliance of Theatre Stagehands & Electricians.

Other presenters included Otto Medvedesky, a scenic artist on the recent John Wick “Parabellum” movie.

The Saaris also will be presenting workshops during the Fall 2019 United States Institute of Theatre Technology — Southeastern Section master classes, being held Sept. 6-7 at the University of North Carolina at Greensboro.

They will offer two workshops over three sessions: “Mixing it Up,” an expanded texturing workshop that builds on the workshop the Saaris offered at the 2018 USITT-SS master classes at Coastal Carolina University, and “Scrimmage Fun!,” in which the Saaris will instruct participants on how to paint on scrim fabrics and then develop fluorescent three-demensional details.

John Saari holds a B.A. from Lake Superior University and an M.F.A. from Virginia Polytechnic Institute and State University. He joined the faculty in 1990.

Sean Saari holds a B.A. from Greensboro College and an M.F.A. from the University of Georgia. He joined the faculty in 2016.

Greensboro College’s Department of Theatre seeks to provide a strong foundation in theatre while allowing the student to emphasize in a particular area such as directing, acting, or arts administration.

The coursework is integrated with the production work to provide a better understanding of the many facets of the theatre. Required participation on stage or backstage on all theatre productions allows the techniques and theories that are examined in the classroom and the laboratory to be tested in a performance setting.

For more information on the program, contact David Schram at 336-272-7102, ext. 5243, or email schramd@greensboro.edu.

Greensboro College provides a liberal arts education grounded in the traditions of the United Methodist Church and fosters the intellectual, social, and, spiritual development of all students while supporting their individual needs.

Founded in 1838 and located in downtown Greensboro, the college enrolls about 1,000 students from 29 states and territories, the District of Columbia, and seven foreign countries in its undergraduate liberal-arts program and six master’s degree programs. In addition to rigorous academics and a well-supported Honors program, the school features a 17-sport NCAA Division III athletic program and dozens of service and recreational opportunities. Learn more at greensboro.edu.

Think critically. Act justly. Live faithfully.

###

Media Contact:
Lex Alexander, Director of Communications
lex.alexander@greensboro.edu

Greensboro College
815 W. Market St.
Greensboro, NC 27401
336-272-7102, ext. 5398
Cell: 336-707-6617
www.greensboro.edu

Facebook: www.facebook.com/GreensboroCollege
Twitter: @GCPride
Instagram: www.instagram.com/greensborocollege

Greensboro College Theatre Announces 2019-2020 Productions

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GREENSBORO, N.C. – Greensboro College Theatre’s 2019-2020 season will feature seven productions, including a mystery, a Shakespeare play, a musical, a period romance, and a touring children’s play, the department’s chairman, David Schram, Jefferson Pilot Professor of Theatre, has announced.

The schedule follows. Performance venues and showtimes will be posted later this summer at www.greensboro.edu/theatre.

“Babes in Hollywood: The Music of Garland and Rooney,” musical revue adapted by David Grapes, Sept. 26-29.

“The Winter’s Tale,” by William Shakespeare, Oct. 17-20.

“Miss Bennett: Christmas at Pemberley,” period romance by Lauren Gunderson and Margaret Melcon, Nov. 7-10

“Tru,” a one-man show adapted from the words and works of Truman Capote by Jay Presson Allen, Jan. 9-11.

“Yankee Tavern,” mystery by Steven Deitz, Jan. 30-Feb. 2.

“Step on a Crack,” children’s production by Susan L. Zeder. This production will tour to area schools and also will be performed on campus, Feb. 3-9.

“Runaways,” musical by Elizabeth Swados, April 16-19.

All tickets $10 (price includes sales tax) except where noted later this summer at the web page above. Performances are free to Greensboro College students, faculty and staff with college ID.

Reserve tickets after Aug. 21 by calling 336-272-7102, ext. 5242, or emailing tickets@greensboro.edu.

Greensboro College’s Department of Theatre seeks to provide a strong foundation in theatre while allowing the student to emphasize in a particular area such as directing, acting, or arts administration.

The coursework is integrated with the production work to provide a better understanding of the many facets of the theatre. Required participation on stage or backstage on all theatre productions allows the techniques and theories that are examined in the classroom and the laboratory to be tested in a performance setting.

For more information on the program, contact David Schram at 336-272-7102, ext. 5243, or email schramd@greensboro.edu.

Greensboro College provides a liberal arts education grounded in the traditions of the United Methodist Church and fosters the intellectual, social, and, spiritual development of all students while supporting their individual needs.

Founded in 1838 and located in downtown Greensboro, the college enrolls about 1,000 students from 29 states and territories, the District of Columbia, and seven foreign countries in its undergraduate liberal-arts program and six master’s degree programs. In addition to rigorous academics and a well-supported Honors program, the school features a 17-sport NCAA Division III athletic program and dozens of service and recreational opportunities. Learn more at greensboro.edu.

Think critically. Act justly. Live faithfully.

###

Media Contact:
Lex Alexander, Director of Communications
lex.alexander@greensboro.edu

Greensboro College
815 W. Market St.
Greensboro, NC 27401
336-272-7102, ext. 5398
Cell: 336-707-6617
www.greensboro.edu

Facebook: www.facebook.com/GreensboroCollege
Twitter: @GCPride
Instagram: www.instagram.com/greensborocollege

GC Theatre: “Listen! Tonin’ Too,” April 26-28

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GC Theatre presents “Listen! Tonin’ Too,” with concept, direction, and choreography by Wm. Perry Morgan, Ashley Hyers, and the Rev. Dr. Robert Brewer. 7:30 p.m. Friday-Saturday, April 26-27, and 2 p.m. Saturday-Sunday, April 27-28, in the Gail Brower Huggins Performance Center in Odell Building. All tickets are $10 and can be reserved by emailing tickets@greensboro.edu. Greensboro College students, faculty and staff will be admitted free with their Pride Cards.

Continuing with the “Tonin’” series, this year we celebrate and feature the music and artistry of The Doobie Brothers. Professors Morgan and Hyers, once again with the assistance of Dr. Brewer, have created the next chapter in the series “Drama through Movement; Drama through Dance.” “Listen! Tonin’ Too!” investigates life, the search for peace and justice, safety, and the necessity of sanctuary.

GC Theatre: “Listen! Tonin’ Too,” April 26-28

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GC Theatre presents “Listen! Tonin’ Too,” with concept, direction, and choreography by Wm. Perry Morgan, Ashley Hyers, and the Rev. Dr. Robert Brewer. 7:30 p.m. Friday-Saturday, April 26-27, and 2 p.m. Saturday-Sunday, April 27-28, in the Gail Brower Huggins Performance Center in Odell Building. All tickets are $10 and can be reserved by emailing tickets@greensboro.edu. Greensboro College students, faculty and staff will be admitted free with their Pride Cards.

Continuing with the “Tonin’” series, this year we celebrate and feature the music and artistry of The Doobie Brothers. Professors Morgan and Hyers, once again with the assistance of Dr. Brewer, have created the next chapter in the series “Drama through Movement; Drama through Dance.” “Listen! Tonin’ Too!” investigates life, the search for peace and justice, safety, and the necessity of sanctuary.